Subject: From Christoph, the Michael Jackson Story
He was pitiable (there was no realistic reason why one would feel sorry for him), self-hating, unadaptable, ceaselesly competing... His hidden agenda was, "I will show on a competitive base, how dancing is the same as walking on water". His article that he marketed was self-pitying. His global impact was this - his attitude of being unadaptable, e.g. unable to live together with others, was fueling this same mis-emotion in people... Which led to more business with weapons on the global plane... Where a celebrity can have even more influence than a "simple politician". He really abused those kids` - this story was not made up, it was not his interest to show himself as such, even if some marketing proffesionals thought so, thinking, "How smart he is, what a genius". People should be capable of recognizing who gives something to them. M. Jackson all the time was just reflecting back their own energy (emotions) in a perverted form. ******* In the beginning of his career, Michael Jackson showed himself as an adorable nice kid. In the last 15 years he showed much controversy. But he seemed to have stood out for humane ideals for which so many people that are well intended and without controversies follow him with their hearts... His body-talk reveals the secrets of his personality. In the beginning, his tactics of a psychopat to steal and borrow others' identity gave him the looks of a loving but unlucky kid to be pitied and cared for. His genuous discovery of a kind of dance reflected back an attitude of a rebelion against everyone and that was supported by those that nurture the same emotions. His attitude was of being incapable to live together with others, a hysteric rejection of being with anyone else. His "moonwalking" emotional rebelic "dance" wanted to present his perfectionist capacity to "walk on water" and this points to the object of his disgust and his greatest enemy. His attitude towards the other sex was to put a spell on his victim, make her pity him for his bad fate, bewilder her with his capacity to produce technical manoeuvres and then steal away from her partner. Every other man was his enemy and rival. His greed for fame and getting even more emotional support led him to take on a very outstanding image. The plastic surgery period and "perfecting" his skin color and appearance started. He took to the "charity show business" to get the emotions of those that have compassion involved. He got back the love of the masses. And this was killing him in the later decades of his career. He could not bear to show himself in face of love. His face and appearance deteriorated. No operations could save his face and he began hiding. To get some identity that suited him, he needed to steal away the sexuality and identity of young boys. This explains his standing lawsuits before the people from which only the money he got from the trust of the same people could have been used to get him out. He moved masses. Not only the rebelling repressed teenagers, as in the beginning, but people with character and high social aims as well later on, that he got hooked up with through his "charity image". He moved nations and he moved leaders of nations. A celebrity of his fame was able to get followed globally. His attitude got into the masses through all the people that opened their hearts to his "art". On the surface, it was the song-texts about compassion or rather, pity. On the deeper level, it was his attitude of being incapable to bear with others, his perfectionism, his rivalism, the cult of the pitiable and the charm of the young trouble- maker. The world followed him for decades, in human hearts and feelings, in emotion and attitude. Dance became rivalhood of the immitators, showing of hostility and bewitching the sexual partners. A competition of those who have no identity and no individuality. A hypocracy of proclaiming charity goals and children`s happiness while, in the practice, sexually abusing children and stealing them away from their parents. Getting through by any means, by force and cheating. We have witnessed this phenomenon psychologically, socially and politically.

Co-authors: Renate & Christoph Gabriel Cottel